What Defines a Meme?

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Niccolo and Donkey
What Defines Meme?

Smithsonian Magazine

James Gleick

May 2011


What lies at the heart of every living thing is not a fire, not warm breath, not a ‘spark of life.’ It is information, words, instructions,” Richard Dawkins declared in 1986. Already one of the world’s foremost evolutionary biologists, he had caught the spirit of a new age. The cells of an organism are nodes in a richly interwoven communications network, transmitting and receiving, coding and decoding. Evolution itself embodies an ongoing exchange of information between organism and environment. “If you want to understand life,” Dawkins wrote, “don’t think about vibrant, throbbing gels and oozes, think about information technology.”

We have become surrounded by information technology; our furniture includes iPods and plasma displays, and our skills include texting and Googling. But our capacity to understand the role of information has been sorely taxed. “TMI,” we say. Stand back, however, and the past does come back into focus.

The rise of information theory aided and abetted a new view of life. The genetic code—no longer a mere metaphor—was being deciphered. Scientists spoke grandly of the biosphere : an entity composed of all the earth’s life-forms, teeming with information, replicating and evolving. And biologists, having absorbed the methods and vocabulary of communications science, went further to make their own contributions to the understanding of information itself.

Jacques Monod, the Parisian biologist who shared a Nobel Prize in 1965 for working out the role of messenger RNA in the transfer of genetic information, proposed an analogy: just as the biosphere stands above the world of nonliving matter, so an “abstract kingdom” rises above the biosphere. The denizens of this kingdom? Ideas.

“Ideas have retained some of the properties of organisms,” he wrote. “Like them, they tend to perpetuate their structure and to breed; they too can fuse, recombine, segregate their content; indeed they too can evolve, and in this evolution selection must surely play an important role.”

Ideas have “spreading power,” he noted—“infectivity, as it were”—and some more than others. An example of an infectious idea might be a religious ideology that gains sway over a large group of people. The American neurophysiologist Roger Sperry had put forward a similar notion several years earlier, arguing that ideas are “just as real” as the neurons they inhabit. Ideas have power, he said:

Ideas cause ideas and help evolve new ideas. They interact with each other and with other mental forces in the same brain, in neighboring brains, and thanks to global communication, in far distant, foreign brains. And they also interact with the external surroundings to produce in toto a burstwise advance in evolution that is far beyond anything to hit the evolutionary scene yet.
Monod added, “I shall not hazard a theory of the selection of ideas.” There was no need. Others were willing.

Dawkins made his own jump from the evolution of genes to the evolution of ideas. For him the starring role belongs to the replicator, and it scarcely matters whether replicators were made of nucleic acid. His rule is “All life evolves by the differential survival of replicating entities.” Wherever there is life, there must be replicators. Perhaps on other worlds replicators could arise in a silicon-based chemistry—or in no chemistry at all.

What would it mean for a replicator to exist without chemistry? “I think that a new kind of replicator has recently emerged on this very planet,” Dawkins proclaimed near the end of his first book, The Selfish Gene , in 1976. “It is staring us in the face. It is still in its infancy, still drifting clumsily about in its primeval soup, but already it is achieving evolutionary change at a rate that leaves the old gene panting far behind.” That “soup” is human culture; the vector of transmission is language, and the spawning ground is the brain.

For this bodiless replicator itself, Dawkins proposed a name. He called it the meme, and it became his most memorable invention, far more influential than his selfish genes or his later proselytizing against religiosity. “Memes propagate themselves in the meme pool by leaping from brain to brain via a process which, in the broad sense, can be called imitation,” he wrote. They compete with one another for limited resources: brain time or bandwidth. They compete most of all for attention . For example:

Ideas. Whether an idea arises uniquely or reappears many times, it may thrive in the meme pool or it may dwindle and vanish. The belief in God is an example Dawkins offers—an ancient idea, replicating itself not just in words but in music and art. The belief that Earth orbits the Sun is no less a meme, competing with others for survival. (Truth may be a helpful quality for a meme, but it is only one among many.)

Tunes. This tune has spread for centuries across several continents.

Catchphrases. One text snippet, “What hath God wrought?” appeared early and spread rapidly in more than one medium. Another, “Read my lips,” charted a peculiar path through late 20th-century America. “Survival of the fittest” is a meme that, like other memes, mutates wildly (“survival of the fattest”; “survival of the sickest”; “survival of the fakest”; “survival of the twittest”).

Images. In Isaac Newton’s lifetime, no more than a few thousand people had any idea what he looked like, even though he was one of England’s most famous men. Yet now millions of people have quite a clear idea—based on replicas of copies of rather poorly painted portraits. Even more pervasive and indelible are the smile of Mona Lisa , The Scream of Edvard Munch and the silhouettes of various fictional extraterrestrials. These are memes, living a life of their own, independent of any physical reality. “This may not be what George Washington looked like then,” a tour guide was overheard saying of the Gilbert Stuart portrait at the Metropolitan Museum of Art, “but this is what he looks like now.” Exactly.

Memes emerge in brains and travel outward, establishing beachheads on paper and celluloid and silicon and anywhere else information can go. They are not to be thought of as elementary particles but as organisms. The number three is not a meme; nor is the color blue, nor any simple thought, any more than a single nucleotide can be a gene. Memes are complex units, distinct and memorable—units with staying power.

Read more: http://www.smithsonianmag.com/arts-culture/What-Defines-a-Meme.html#ixzz1KIc8pXze
Beefy Rep
What lies at the heart of language is not a logic, not information, not a "Turing machine." It is a fire, a warm breath, a spark of life--and genetics, as a language, gives life by this breath. Its more than bit ridiculous, though, that there is fanfare over the notion of a "meme." What is it except the same old informatics, which failed utterly in its description of language and in any applicability to the way human beings actually think, and survives here by being echoed as a metaphor. Essentially: we understand genes as information, and then use a genetic metaphor to describe thoughts and language as information even though information theory has already found its "heart of darkness" in the jungles of human thought and language. What's more, our understanding of genes as information is informed by the even more vacuous interpretation of "The Selfish Gene" which basically describes all of genetics as a kind of pan-viralism--genes seems to "infect" the organism and use it for their own reproduction--ignoring the differing relations that DNA has to the life form, and missing the essential drive in genetics as one of differentiation rather than self-identity.